My One And Only

As Edythe Herbert, the English Channel swimmer who becomes Billy's one and only, willowy Stacey Harris displays a solid singing voice [and] gorgeous gams.

Chicago Sun-Times

The leggy Stacey Harris, Lupp's agile, tireless dancing partner, rises to the genius of choreographer Marc Robin.

The New World Entertainment

As Edythe, Stacey Harris combines wholesome looks with fine dancing and solid control of her character. In the ingenious wading scene, she and Lupp are smashing.

Night Out

Andy Lupp's a solid, graceful, admiring partner for Stacey Harris, who stylishly co-stars as his svelte lady love.

Chicago Tribune

Lupp and Harris are wonderful, selling their roles as if they're having the time of their lives on stage.

NorthWest LEADER

Stacey Harris has the part of Edythe, and a more charming performance is difficult to imagine.

Sherman Kaplan Radio Review

Stacey Harris is a good-looking dancer with a voice to match.

Daily Southtown

As Edythe, Stacey Harris is an outstanding singer and a solid dancer, and dancing is what this show is all about.

Dan Zeff, Copley News Service

Stacey Harris is the beautiful Edythe Herbert, whose sweet voice pleases from start to finish, whether it be the classic , "S' Wonderful" duet with Lupp, or as a soloist in "Nice Work If You Can Get It".

The Landmark

As Edythe Herbert, the first woman to swim the English Channel, Stacey Harris enchants with her made-for-Gershwin voice, svelte good looks, and darned good dancing.

Kane County Chronicle

Harris bubbles like Sandra Bullock, keeps up with Lupp in the dance sequences and chirps like a nightingale. Besides, she has a pair of legs that just won't quit.

Bulletin Stage Review

A Chorus Line

Stacey Harris brings the house down with Nothing and a poignant rendition of What I Did For Love.

Gay Chicago Magazine

Kudos should go to Stacey Harris for strong singing in the role of Morales

Renee Tomell -- Republican

I particularly like Stacey Harris as the spunky Puerto Rican dancer Diana Morales.

Dan Zeff - Copley News Service

As Diana Morales, Stacey Harris has the advantage of sinking her vocal chords into the show's two best solos, the witty "Nothing" and the light-FM "What I Did For Love". She makes both these turns stand-outs in the show.

Nick Pullia - Wheaton-Press

Sugar Babies

Stacey Harris, who has delighted Flat Rock audiences with her comic and acting talent, proves she can sing as Soubrette, the saucy young thing who really gives Edwards a coronary.

Tim Reid -- Asheville Citizen-Times

Stacey Harris, the Soubrette, parodies the bimbo as she flirts, sings and dances with gusto.

Franklin Harris -- Times-News

Last Night of Ballyhoo

The standout performances belong to Harris, as the shrill Lala who lives in a make-believe world... Both actresses show strong skills with characters who seeem so real and disturbed.

Tony Kiss -- Asheville Citizen Times

Look Homeward Angel

Florry Mangle (Stacey Harris) [is] both real and connected during this scene; several others fill in the picture, but they do not engage us.

Franklin Harris -- Times-News

Grease

Stacey Harris nearly steals the show as Betty Rizzo, a wild and willful girl determined to experience everything now.

Tim Reid -- Asheville Citizen-Times

Rizzo (Stacey Harris) is flippant and tough (she is also an excellent dancer and singer).

Franklin Harris -- Times-News

West Side Story

Stacey Harris nearly steals the show as Bernardo's saucy girlfriend, Anita, who admires his machismo but sees that the love between Tony and Maria is more important than gang labels.

Asheville Citizen-Times

Bernardo's girlfriend, Anita, (Stacey Harris) is feisty, independent, and effervescent in her rendition of "America". In two scenes, she displays a depth of emotion that calls forth our empathy.

Hendersonville Times-News

The showy part of Anita, which brought Chita Rivera into the permanent spotlight, is sung and danced to near perfection by Stacey Harris

Will Stackman -- Aisle Say Boston

Stacey Harris does an excellent job of creating the self-assured, fiery Anita

David Andrews -- Metro West Daily News

Syncopation

If you are looking for an evening out to watch two people take command of the stage and never lose it for two hours, whether dancing, talking to one another or the audience, then Syncopation at Capital Rep is the place to go. Adam Pelty is an extraordinary dancer; Stacey Harris is a joy to watch - matches his footwork step for step.

W. K. Aaron -- Spotlight Newspapers The Record

Harris is a sparkling dancer. Pelty is phenomenal… My favorite is the closing tango to Act 1…masterful execution by Harris and Pelty

Paul Lamar -- The Daily Gazette

Harris and Pelty create a believable Anna and Henry: They are not just dancers who can act a little, but actors who can dance well.

--Metroland

Anna Bianchi, played with conviction by the attractive and well poised Stacey Harris ...her dancing is a lesson in growth and by the end, the audience is fully on her side. And as a twosome, they work well together.

Robert Couture for WAMC

Harris becomes a swan gracefully, stumbling through her initial steps with a physical awkwardness that echoes Anna's inner progress... When she finally does become a dancer, she's vivacious.

Michael Eck -- Times Union

Pelty and Harris, who are reprising the roles they originated in an Albany, N.Y., production, are magnificent as the dance partners.

Terry Byrne -- Boston Globe

But at its heart Syncopation is about the dancing -- and Adam Pelty and Stacey Harris excel, both as actors and dancers.

Nancye Tuttle -- Lowell Sun

Beautifully danced and acted by the cast of two, they fill the stage, yet give the feeling of a larger company. The choreography and execution of it by Pelty and Harris is nothing short of breathtaking.

Nancy Grossman -- Broadwayworld.com

Chicago

If you only see one musical this season, make sure it's "Chicago".

Valerie Nienberg -- Scripps Treasure Coast Newspapers

Harris heads the cast as raven-haired Roxie. She sings well, dances even better and any jury in the land would be won over by her.

Hap Ernstein -- Palm Beach Post

Long-legged Stacey Harris is a brassy hoot in her role as foxy Roxie...

Pam Harbaugh -- Florida Today

Stacey Harris, as Roxie, is the ultimate “Package”. A fabulous singer, dancer, and actor, plus she has a smile that totally lights up the theater.

Martin L. Paris -- PlanetVero.Com

Bye Bye Birdie

In the role of Rosie Alvarez, which vaulted Chita Rivera to Broadway star status, Stacey Harris, new to Seattle stages, is a sheer delight and a real triple threat. Harris gives an unforced, naturalistic performance, and dazzles in her big song and dance moments such as "Spanish Rose" and "The Shriners' Ballet

David-Edward Hughes -- TalkinBroadway

Stacey Harris is a confident, consummate entertainer and her performance in “Shriner Ballet” provides some of the funniest moments in the show.

Deborah Stone -- Valley View

Stacey Harris as Rosie Alvarez sizzles in "Spanish Rose;" a sultry, provocative, almost lap dance in a red dress. Harris's hips so tease and taunt the stuffy, old-goat Shriners she tantalizes that they can't help but choke on their own false teeth. A show highlight.

Dale Burrows -- Enterprise Newspapers

Romance, Romance

What elevates the evening are the warm and funny portrayals from Brian Myers Cooper (Alfred/Sam) and Stacey Harris (Josephine/Monica). Thursday's opening found them amazingly confident and comfortable, displaying a delight in performing that communicates directly to the audience.

The first act's old world insouciance is nicely balanced with the modern casualness of the second, showing off each performer's versatility. Their chemistry is real, no more so than in the flirting dance sequences in both acts. Both have strong voices that find all the nuances in the songs.

Roy C. Dicks -- The News & Observer

Harris [is a] highly personable performer... cute as a bug and has personality plus... handle[s] the comic banter and serious overtones with aplomb

Robert W. McDowell -- Classical Voice of N.C.